"Isabella and the Pot of Basil" by William Holman Hunt will be sold at auction in London The Delaware museum boasts the most significant collection of Pre-Raphaelite works outside of the United ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. In 1855, Edward Burne-Jones and William Morris, student friends at Oxford, ...
My mother made me a journalist. And a musician, an artist, a poet and a playwright. I realized this recently while taking in an exhibition at the National Gallery of Art in Washington, D.C. —“The ...
WASHINGTON —Just in time for the spring influx of school trips and Easter vacations, the National Gallery of Art in Washington, D.C., is hosting two exhibits about the Pre-Raphaelites painters of 19th ...
Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...
The handful of British artists who called themselves the Pre-Raphaelite Brotherhood were “a radical yet backward-looking” bunch, said Jeffry Cudlin in the Washington City Paper. The movement’s major ...
Editor’s Note: Untold Art History investigates lesser-known stories in art, spotlighting unsung and pioneering artists you should know, as well as revealing new insights into influential artworks.
(1868–77), Sir Edward Burne-Jones. (Courtesy the Metropolitan Museum of Art) The deeply artificial spontaneity and double-jointed, proto-hipster nostalgia of the Pre-Raphaelites, which feel strangely ...
Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...
On “Poetry in Beauty: The Pre-Raphaelite Art of Marie Spartali Stillman” at the Watts Gallery, Surrey. It must have been fun to be a member of the Pre-Raphaelite Brotherhood, but what about the ...
Dante Gabriel Rossetti, "Sibylla Palmifera" (1865–1870), oil on canvas, 38 3/4 x 33 1/2 inches (all images courtesy the National Museums Liverpool) What's your go-to excuse when you miss an important ...