In an age where digital technology melds seamlessly with art, the world's premier opera houses, ballet companies, and classical orchestras are now just a click away. Whether you're a seasoned ...

Performances in N.Y.C. Advertisement Supported by Fall Preview Malcolm X at the Met. Jaap van Zweden’s farewell to the New York Philharmonic. Premieres by Kate Soper and Ted Hearne. It’s shaping up to ...

Most exciting formation of the decade: the 2003 re-birth of the Lucerne Festival Orchestra under Claudio Abbado, who made it a crack band of players he knows and loves from veteran cellist Natalia ...

A concise nine-opera season sees ENO balance major revivals, contemporary work and headline events – all while evolving its ...

“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...

Chorus of approval Jessica Pratt starred as Armida in Garsington's production of the Rossini opera last JuneRobbie Jack / Corbis The bucolic English countryside may seem a strange setting for the ...

Milan’s famed opera house is cracking down on the underdressed, even as it and other European opera companies try to attract a wider audience. By Amelia Nierenberg The Glyndebourne Festival, which ...

Fresh from their exploration of Joseph Haydn’s operatic output, during a Haydn Week at Kings Place, COC now embarks on something of a reconstructed Mitridate, re di Ponto. The opera, an astonishingly ...

With 2 days left in our spring campaign, we have a new $10,000 goal! New Times members have already contributed more than $7,500 - can you help us hit our new goal and keep New Times free and in print ...

English opera and classical soprano Mary Bevan MBE explains everything soprano, from vocal range to useful warm-up tips, as well as some of the most beloved opera roles and repertoire for the voice ...

English National Opera should be lauded for presenting the UK premiere of Blue, given how endemic police brutality is in the US. Whether this opera does justice to the subject matter is debatable ...

Having previously stated (in The Stage) that 'This obsession about putting work out into the cinema can distract from making amazing quality work', English National Opera's Artistic Director, John ...